IR | Writers Community


Mythology Focus: The Fall of Icarus 





Dédale et Icare, 1799
Charles Paul Landon, Alençon, FR


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Drawn on by his eagerness for the open sky, Icarus left his guide and soared upwards, till he came too close to the blazing sun (...).
Some people say he laughed when he fell.





Installation Focus: Shabah El Rih






Shabah El Rih, Video, 11:00 min

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The Grand Théâtre des Mille et Une Nuits is a historical landmark in the center of Beirut. Built in the late 1920s, it played host to international performances, films and was an icon of contemporary Middle Eastern culture. After the 1975 civil war, the building suffered structural damage and was eventually boardd up and forgotten. There was no attempt to revive the theater until the people’s revolution of 2019, which led to its barriers finally being pulled down.

Song: Wagner’s “Liebestod” from Tristan und Isolde

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Performance Focus: Swan Lake/Loch na hEala






Swan Lake/Loch na hEala, 2017
Michael Keegan-Dolan & Teaċ Daṁsa


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Drawing inspiration from folk tales and one of the most famous classical ballets, Irish choreographer and Sadler’s Wells Associate Artist Michael Keegan-Dolan, presents a piece that combines dance with storytelling and live music in a poetic mix of ancient and modern.





Artwork / Video Focus: The Kiss


 


The Kiss, 2004
William Cobbing, Video, 3:33 min.


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Emotion – in this case love -is marvelously expressed in The Kiss, one of two short videos exhibited by William Cobbing. In this work, two people face each other, standing close, their heads totally covered in soft clay. During the course of the film, their hands continuously mould the ‘head’ of their partner: a truly effective metaphor for physical and emotional closeness and the desire for continual adaptation in order to meet the needs of a loved one.


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Artist Focus: Nicola Samori






Agnese
Nicola Samori, 2009, IT


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“My works are planes of temporal accumulation and push the image towards its dissolution. My attention is focused on the last moments of a work when a form of exhausted, at-the-limit beauty is impressed in it. I like taking the image to a breaking point, putting its form into danger.”

Nicola Samori’s dark, Baroque-inspired oil paintings are skillful reproductions of classical portraits and still lifes on canvas, wood, or copper, purposefully destroyed to negate classical representation and question painting itself. His process entails “skinning” his painted figures with a palette knife or diluent, layering another image on top, and repeating the process until images fuse and signs of erasure and scratching dominate the reworked surface. Samori explains that exposing the inside of the paint by removing layers of “skin” with a scalpel reveals “a freshness and an intensity unknown in the outer tones.”





Performance Focus: Apollon Musagète






Apollon Musagète
Florentine Holzinger, 2017, Berlin, DE


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With five muses and the god Apollo, Florentina Holzinger examines attributions of the feminine. What does the perfect woman* want and what does the audience want from her? Apollon Musagète combines fin de siècle freak show with live art of the 1960s to a spectacle of physical virtuosity. The starting point for the piece is Balanchine's 1928 ballet quartet of the same name, which sought to reinvent traditions at the time to the music of Igor Stravinsky. With an aesthetic tightrope walk between occult gym, cyborg bullfight and neoclassical ballet, Holzinger offers a new perspective on choreography and bridges the gap between high art and entertainment. A juxtaposition of fiction and reality, innocence and depravity with an all-female cast.





Sculpture Focus: While You Are Sleeping






While You Are Sleeping
Christina Bothwell, 2007, Heller Gallery, New York, US


︎ FATIMA NJOYA

Colorless and white glass; cast; pit-fired raku ceramic. Sculpture is of a reclining woman who has a "spirit" figure rising from her body. The bodies are made up of white and colorless glass, while the head of the reclining figure is brown and gray ceramic.





Sculpture Focus: The Origin of Sculpture





The Origin of Sculpture, Bronze 
Marc Quinn, 2012, 


︎ ALICE VAN DANISCH

Marc Quinn expands the material and conceptual possibilities of sculpture. He emerged in the 1990s as part of the iconoclastic group of Young British Artists and is best known for his unusual, organic media: He’s made art from frozen flowers, slides of human DNA, and - in his self-portraits - his own frozen blood. Quinn has also embraced provocative subject matter and made monumental depictions of disabled and transgender subjects. Quinn studied art history at the University of Cambridge and has exhibited in London, New York, Paris, Milan, Seoul, Tokyo, and other cities. His work belongs in the collections of the Tate, the Centre Pompidou, the Stedelijk Museum, the Astrup Fearnley Museum of Modern Art, the Museum of Modern Art, and the Metropolitan Museum of Art.





Artist Focus: Carolina del Pilar






IIKG 1&2
Drawing on black paper, 100 x 70cm. Graphite, charcoal. Berlin, 2020
Carolina del Pilar, 2020, Berlin, DE


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Carolina del Pilar is an artist based in Berlin with Colombian roots. Her great passion is the study of the sciences and their possible application in artistic work. Her intention is to create works, which challenge the viewer to engage with the work, in terms of space, material and perception, in a dialogue between the viewer and the material..

The art reflects an interest in traditional techniques, symbolism and materials. Through research and experimentation Carolina del Pilar is able to connect and find a language with the material, making it a primary and conceptual part of the work.

She draws in large formats (up to seven metres) with different types of chalk, charcoal and some of its derivatives. These works are the result of a performative overdrawing. This process of physical engagement with the materials leaves visible and audible traces on the paper and the soundtrack. In this way, pulsating macro and microcosms are created in the same image, a game of perception.





Artist Focus: Nicola Hicks






Nicola Hicks,
Born 1950 London, UK is an English sculptor, known for her works made using straw and plaster.


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Hicks’s practice adeptly combines discipline and skill to create sculptural works with both charming and menacing qualities. The study of anatomy and drawing is essential to her work. Although not concerned with mimetic representation her achievement is founded on a unique ability to capture the physicality and psychology of the animal and human figures she creates. Working primarily with plaster, straw and huge sheets of brown paper on which she works up her dynamic charcoal drawings, many of her sculptures have subsequently been cast in bronze, often with such subtlety that every fragile detail of plaster and straw is reproduced.





Artist Focus: Kiki Smith





Kiki Smith
Born 1954 in Nuremberg is a German-American artist known primarily for her work as a sculptor and printmaker.


︎ ALICE VAN DANISCH

"The body is our common denominator and the stage for our pleasure and our suffering. I want to express through it who we are, how we live and die."





Sculpture Focus: Daphne & Apollo






Daphne & Apollo
Gian Lorenzo Bernini, 1622-1625 Borghese Gallery, Rome, IT

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The Greek god Apollo insulted Eros, the god of love, by mocking him as a bad shot. In revenge, Eros shot a golden love arrow at Apollo and a leaden one at the nymph Daphne. The golden arrow caused Apollo to fall in undying love with Daphne. The nymph, however, fled from him, since the leaden arrow had caused exactly the opposite in her. Exhausted by the distress, Daphne asked her father, the river god Peneios, to change her shape, so desired by Apollo. Her wish was granted and she was transformed, before Apollo's eyes, into a laurel tree.





Sculpture Focus: Hermaphrodite






Hermaphrodite
Uffizii Galleries, Florence, IT



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The Sleeping Hermaphroditus is a Roman sculpture from the 2nd century AD after a Hellenistic original.
In the body of Hermaphroditus, the male of father Hermes and the female of mother Aphrodite coexist harmoniously. Indeed, its dual nature expresses conciliation beyond opposites. The young and sinuous body is stretched out on a feline skin that the sculptor skilfully manages to reproduce in detail.
Praised by Michelangelo himself, it is undoubtedly one of the most sensual works of antiquity. Ovid in his Metamorphoses tells about the transformation of this extraordinary being.
In history, hermaphrodites were revered as superior creatures endowed with both sexes, celebrated as divinities beyond any gender conflicts.